Monday, 12 December 2011

Evaluation - Alec McLoughlin

Question 1

In what ways does your media product use, develop or challenge forms and conventions of real media products?

Music videos and genres have many conventions that record companies stick to in order to define their artist's star image. Some artists may choose to break and challenge these conventions as seen with Lady Gaga and other various singers. When creating our artist we had to assess the conventions associated with the genre we choose, Pop and Singer Songwriter. As a group we then had to assess if we wanted to stick to all the conventions or try develop them or completely go against the mould. 

Stayed With Convention
One convention of our genre, Pop Singer-Songwriter,is the use of close-up shots to emphasise the artist's face and image. Because Pop is so dominantly about the artist, their music videos will feature lots of close up shots of them performing and singing. We decided to use this in our music video as it we felt it was important that we established our artist. This close up also creates a relationship between the artist and the audience viewing it. It is almost as if our artist is performing to the audience which is what a lot of Pop music videos try to do, this is the Star Power theory by Richard Dyer.The connection is created mostly by the artist’s sight lines, their eyes are looking at the audience therefore creating the illusion that the artist is performing to the viewer. John Stewart’s theory on music videos states that music videos use a lot of “close ups and lighting to focus on the stars face”.We made use of this as you can see by having the close up and the natural light on his face and dark all around him.
Developed A Convention
Costume is a part of mise-en-scene and it is a convention for Singer-songwriters to be wearing quite nice designer clothes.Here we see Josh Groban wearing a black suit jacket and shirt. Josh Groban looks formal but there is a hint of informality as well with no tie and his collar undone.We decided to go against this convention and have our artist more casual yet slightly formal thus developing what Josh Groban has done in his video.We opted for the white shirt with black tie but no jacket. We also added the black scarf which could be our artist's motif.This motif adds to the structure of the star image, with the recurring image of our artist with the scarf on the audience can expect it from him and associate it with him.By having him more casual it attracts our audience as they can relate to this more independent look. Our main audience are females aged 12-21 and they can relate to this independence as teenagers are thrive on individuality and being able to do things their way, our artist ties in with this theme.


Challenged A Convention 
One convention of a Pop music video is the Mise-en-scene. Singer songwriters are generally shown in their music videos to be playing their instruments and singing in order to show their authenticity. Here we see in the picture Bruno Mars playing an old upright piano in some sort of loft studio apartment. This is a grassroots approach which a lot of artists are using nowadays in order to be more independent. Mise-en-scene is an important factor of star image and is used in music videos to emphasise image. We decided to go against the Bruno Mars video and instead use a baby Grand piano to give our artist more a classier appearance. This is achieved through content signs of the image, a grand piano exerts a sense of class and wealth due to their price and formality. Music record labels invest a lot of money into a music video , the top companies can spend up to $500,000 on one video alone. Therefore we were limited by our budget which was £0 but we aimed to meet the high production values associated with a music video.


Another convention of music videos is for visuals to match the song's lyrics. This is part of Andrew Goodwin's music video theory. As we see in the photo with Beyonce, the lyrics of the song are "If you like it you shoulda put a ring on it". She emphasises this lyric by indicating her ring finger to the audience. We challenged this with our music by not having having any visual relation to the lyrics of our song "Out of the clouds." We did plan of having some lyrics to be illustrated in the video but we felt that having a mixed performance and narrative music video was a better option. In the planning stages we felt that matching every lyric with a visual when it came to narrative was wrong as it was too cliched and perhaps unprofessional.
Inspiration
We took inspiration from various Pop music videos within our genre, we researched the conventions they stuck to and planned our music video upon these inspirations.One other convention of Pop music videos is the use of special effects and treatment signs. Many Pop videos like to use bright colours and flashing lights whereas the Singer Songwriters tend to use more toned down effects such as colour filters like Black and White. The point of using SFX is to make the music video more interesting for the audience and to enhance the performance of the artist. Here we see Josh Groban's video using a Sepia filter to give it a more aged look to it. We decided that using a colour filter for our video was a good choice as it gave the film a different vibe and so we went with a pale orange Sepia like filter. As a group we felt sticking to this convention really made our video more authentic which would attract our audience. Instead of just using the natural colour , having a filter emphasises the different features of the performance. As we see in the picture, the grey light filter emphasises his facial features which is important to an artist’s image.  
We also took inspiration from James Morrison by making use of the opacity to show two different peformances at once. As we see with James Morrison, the artists are singing to each other and the performances are linked and there is no separate narrative. We decided to develop this technique an instead have the artist performing to the people in our narrative. We achieved this by lowering the opacity of the footage, this connotes that perhaps the artist and the narrative are linked in the story.By using this technique we are able to show both the performance and narrative simultaneously. It is important to keep referring back to the artist as essentially the video is about him ,by using the splitscreen we can have our artist visibly performing and the audience can still follow the narrative.
 
The use of a splitscreen effect in music videos can be seen in many Pop videos especially those that have a mix of narrative and performance. Here we see in the Daniel Powter video that they have used a splitscreen to compare the two narratives of the video. We follow a man and woman as they go about their normal week before finally meeting. We felt that we should use this effect in our music video but by showing the artist performing and one of our narratives. This shows the audience the artist is singing to the people in our narrative. This also links in with the idea that the artist is performing to the audience as they can relate to the narrative as well.We developed this convention and we think that it fits the genre perfectly. We feel this way because when viewing the video you cut between the performance and narrative whilst the split screen allows us to show both at the same time. Therefore it is more interesting as a music video as we are getting two performances at the same time in a sense.  Looking at audience feedback,the majority enjoyed the narrative and the effects we used particularly this and the screenshot effect.

Question 2
How effective is the combination of your main product and ancillary texts?
 We decided to answer this question as a group with each of us giving our intake on the question. We then uploaded this discussion onto YouTube with a slideshow displaying screenshots from our music video and our digipack.  

Our ancillary texts are mainly linked with the same dress code(aviator glasses, cardigan) , same visual theme with the leaves and the grass. This is effective as it looks more visually authentic and it appeals to the customer. The leaves are a classic setting and it has worked before , therefore we feel that it was effective to use for our digipack theme.



Our digipack is also linked to our music video with the piano featuring on the Back Cover and the Disc cover. This is effective as it enhances our artist's image as being a singer songwriter who can play the piano and it gives him a classier look.
Question 3
What have you learnt from your audience feedback?
To answer this question, I have looked at our music video and clearly annotated the positive and negative feedback that we received on our video. We created questionnaires and surveys as well as asking friends and family to give feedback on our video. I have annotated the good feedback in green annotations whereas the negative feedback comments are in red.


Question 4
How did you use media technologies in the construction and research , planning and evaluation stages?

To answer this question I filmed myself going through the various media technologies we used throughout the process of our coursework.



Monday, 5 December 2011

Full Digipack and Advert

This is our complete Digipack, full with inlays and credits and our magazine Advert promoting our digipack.

The recurring themes we used was the autumn leaves as well as the grand piano. All the images were taken in one photoshoot on a sunny autumn day on a field. We did not make use of many filters or effects as we wanted it to be simple and more classical.

Front Cover


Inlays





Disc



Disc Inlay



Back Cover


Advert

Sunday, 4 December 2011

Feedback on our Digipack

Throughout the process of creating our digipack we received a lot of feedback from friends, teachers and classmates who all gave their opinions on what we could do in terms of themes, filters and fonts etc.
Because we wanted to make sure that our digipack was specific for target audience which was 12-21 female year olds, we had to ensure that the digipack targeted this group and gave it a little extra.
We also had to fit the digipack with our genre which was Pop Singer-Songwriter.

The Evolution of our Digipack

This was the first cover that we created, the feedback we got was that the cover background was more of a "Dance" genre. This was enhanced by the glowing font on "Patrick Fusi" which was said to be more like a David Guetta dance club album.
 Following the feedback on our first cover we decided to completely change it and use a different background with a wooden floor and a Sketchup filter. This was so that the front cover would link with our back cover which the first did not.The feedback we got was that it was better but it looked more like a cartoon and again it did not look like a Pop Singer-Songwriter cover.


 We therefore entirely changed the cover again following the feedback and went for the autumn leaves theme. The feedback we got was that this was the best cover we created as it looked more professional and more natural. Some people did not like how the previous covers were edited so much and preferred the simplistic approach that we have taken below.


Overall we were happy with the final outcome and glad that we listened to our audience feedback!


Tuesday, 22 November 2011

Our Music Video

Magazine Adverts Research

As well as our digipack, we have to create a magazine advert to promote our artist's digipack to our target audience.  There are many features in an advert that we will have to include :



  • Digipack cover
  • Artist name
  • Release date
  • Where to order/pre-order
  • Reviews
  • Website links
  • Facebook pages
  • Record label
  • Company logos
  • Sponsor logos






Album adverts also link with the digipack in the sense that the images and colour scheme are similar. This contributes to the overall image of the artist and clearly defines to the audience what the genre is. We will try and do something similar with our advert as we have taken many pictures in the same locations. 









 Album adverts are there to promote the product in order for record labels to make money. Therefore the advert has to give an incentive for customers to buy it. Some things that we could include are a possible discount code or exclusive content.




 Here we see in the poster above there are many website logos where the album can be purchased. This makes the overall process easier for the customer. It also outlines the different guest artists that collaborated on the album which is an example of intertexuality.

Audience Feedback on our video

We recently showed our music video in our school assembly to get feedback from the rest of our sixth form college. To get our data we gave them 4 questions to answer that we felt were relevant and simple to answer.

The questions were:

1. How authentic do you think our music video is? (1 being very authentic, 5 not authentic at all)
2. What did you like most about our video?
3. Do you understand the narrative?
4. Do you have any constructive criticism about our music video?





The Data











Tuesday, 15 November 2011

Digipack - Back Cover Content






Barcode



Blackberry Barcodes









Compact Disc Logo









Music Label - Logo















Other things to include :

  • Copyright information
  • Website links
  • Facebook link
  • Twitter link
  • Serial number
  • Other associated companies/artists

Unfinished Versions of our Music Video

These videos show the progress and different stages of our music video. The first video we exported as a test to check if our effects were working. The second video we uploaded to see the quality of the filters. And the third video we tested the frame rate.








Thursday, 10 November 2011

Editing Update and Progress

We have had 2 days to edit our music video in time for our coursework deadline, currently we have edited and put in place 4 minutes of our song and so far we are very happy with the result.


Friday, 4 November 2011

Final Cut Tutorials - Transitions

As well as using filters, we have to use appropriate transitions in order to make it look like an authentic musc video. Again I have looked on YouTube where there are various tutorials on how to use them.


Final Cut Tutorials - Filters

We are hoping to use filters as an effect in our music video to make it look more authentic, I have been looking on YouTube to find out the different filters we could use and how to use them.


Monday, 31 October 2011

Digipack - Font Ideas

 The font is an important aspect of the digipack as it has to fit the artist's image which includes the genre. lifestyle etc. Therefore we have to relate our font with our artist's genre which is Pop- Singer Songwriter. We have selected a few fonts which we feel relates to our genre and is suitable for our digipack.

 

Hand is Sean


James Farjado


Star Avenue
Italian Football

Sunday, 30 October 2011

Risk Assessments

When filming our music video, there are various risks that we must be prepared for in the event of an accident. Risk assessments are very important for filming crews in the different industries in order to ensure they are covered.


Vignette - Man at Work

Vignette - Girl on Laptop

Vignette - Moped Driver

Saturday, 29 October 2011

Vignette Storyboards

We as a group have create storyboards from post-it notes for our vignettes in our music video, this will give us a clear outline of the story and what shots we need to film. I have taken the images we took and uploaded them into simple Prezi presentations in order to be able to organised and easily viewable.

Vignette 1






Vignette 2


Vignette 3



Vignette 4


Friday, 21 October 2011

Shotlist for our Music Video


Shot
Timing
Medium Shot of Artist Entering Hall
0:00 - 0:04
Low Angle of Artist walking towards piano
0:04 - 0:06
Long shot of Artist sitting down – Establishing shot
0:06 – 0:10
SONG STARTS

Close up of hands playing on keys
0:10 - 0:14
 Medium side shot of artist playing
0:14 - 0:16
High angle on artist's face
0:16 - 0:18
Close up on artists face singing “Woah”
0:18 - 0:20
Medium shot in front of piano
0:20 - 0:22
Close up on feet on piano pedal
0:22 - 0:24
Pan showing artist playing
0:24 - 0:28
Over The Shoulder Shot of artist playing
0:28 - 0:30
Starts Singing – Medium shot of artist singing
0:30 -0:34
Close up on hammers and strings
0:34 – 0:36
Medium shot to the side of piano
0:36 - 0:38
Emotional shot of him playing
0:38 - 0:42
Close up on face when he closes his eyes whilst singing
0:42 - 0:45
Medium shot in front of piano
0:45 - 0:47
Close side shot of him playing and stopping in time with lyrics
0:47 - 0:49
Low angle of curtains
0:49 -0:52
POV shot of him looking at the side
0:52 -0:56
Start of 1st
 VIGNETTE

Pan of Moped
0:56 – 1:02
Medium Shot of Artist
1:02 – 1:06
Low Angle of Moped Driving
1:06 – 1:08
Long Shot of Artist on Piano
1:08 -1:10
Close Up on Moped Driver’s Hand
1:10 – 1:12
Close up on Helmet
1:12 - 1:14
High Angle on Artist
1:14 -1:16
Worms Eye View of Moped Driver
1:16 – 1:18
Medium Shot of Moped Driver sitting down
1:18 – 1:20
Close Up on Artists Hands
1:20 – 1:22
Medium Side Shot of Artist
1:22 – 1:24
Start of 2nd Vignette

Medium Shot of Man at work
1:24 – 1:26
Camera Pans to left to show boss walking in
1:26 -1:28
Medium Close Up of man with head on desk
1:28 – 1:30
Medium Close up of Artist
1:30 – 1:32
Close up on Piano Keys
1:32 -1:34
Out of Focus shot of clock
1:34 – 1:36
In Focus shot of clock
1:36 – 1:38
Out of focus shot of artist
1:38 – 1:40
Over the shoulder shot of worker
1:38 – 1:44
Close up on hands on paperwork
1:44 – 1:46
Long shot of Artist playing
1:46 – 1:50
Close up on Artists face
1:50 – 1:52
Medium shot of Artist
1:52  - 1:54
Close up on artist’s feet
1:54 – 1:56
Medium shot of  Artist singing
1:56 – 2:00
Reflection shot on piano
2:00 – 2:02
Close up on Artist’s face
2:02 – 2:04
CUT BACK to Moped Driver
2:04 – 2:08
CUT BACK to Office Worker
2:08 – 2:12
Shot of artist singing Chorus
2:12 – 2:14
Establishing shot of hall
2:14 – 2:16
Shot behind Artist playing
2:16 – 2:20
Close up on Artist’s face
2:20 – 2:24
Middle 8  - START of 3rd Vignette

Establishing shot of room
2:24 – 2:26
Track of her walking in
2:26 – 2:30
Over the shoulder shot of her on laptop
2:30 – 2:32
Close up of artist singing
2:32 – 2:34
Worms eye view of her on laptop
2:34 – 2:36
Close up on hands on keyboard
2:36 – 2:38
Close up on Laptop Screen
2:38 –2:40
Medium Close up of artist singing
2:40 – 2:42
Medium shot of her sitting down
2:42 – 2:44
Side shot of her
2:44 – 2:46
Reaction shot of her
2:46 – 2:50
Cut back to artist playing
2:50 – 2:54
Medium shot of curtains
2:54 – 2:56
Shot of curtains lifting up
2:56 – 3:02
Medium shot of artist
3:02 – 3:04
Establishing shot of light
3:04 – 3:08
Close up on artists face
3:08 -3:10
Over the shoulder shot of moped driver – car pulls up
3:10 – 3:14
Canted angle shot of phone vibrating
3:14 -3:16
Medium shot of man picking up phone
3:16 -3:20
Close up on phone screen showing text
3:20 -3:22
Long shot of door – friend knocks
3:22 -3:24
Medium close up of artist
3:24 -3:26
Shot of girl opening door
3:26 -3:30
Over the shoulder shot of her talking to friend
3:30 -3:32
Switch angles to see girl upset in doorway
3:32 – 3:34
Medium close up of artist
3:34 -3:38
Close up on artist hands
3:38 – 3:40
Medium shot of office workers reaction
3:40 – 3:42
Long shot of him throwing work in bin
3:42 – 3:46
Medium shot of him walking out
3:46 – 3:48
Medium shot of guy getting in car
3:48 – 3:50
Low angle shot of them in car driving off
3:50 – 3:52
Long shot of two girls walking off
3:52 – 3:56
Voyeur shot of artist playing
3:56 – 4:00
Close up in artists face
4:02 – 4:04
Medium front shot of artist
4:04 – 4:06
Medium behind shot of artist
4:06 – 4:08
Close up on piano keys
4:08 – 4:10
Long shot of artist playing
4:10 -4:12
END OF SONG